A Fistful Of, uh, uh, Asskicking

Unveiling today, the final Foolkiller in my second limited series, White Angels.

And the fourth Punisher of my run - perhaps my favorite cover, by artist and devil pig, the Good Reverend David Cornelius Johnson.

Crime Novelists Beware

Life is imitating art.....

Ten Most Irritating Expressions

Thank you Charlotte Bailey of The Telegraph, UK.

What's your most irritating phrase? Mine is probably the oft-misused "Hopefully."

Oxford compiles list of top ten irritating phrases

A top 10 of irritating expressions has been compiled by researchers at Oxford University.

BBC Radio 4 presenter John Humphreys described the phrase 'I personally' as the linguistic equivalent of having chips with rice Photo: MARTIN BEDDALL

The phrases appear in Jeremy Butterfield's Damp Squid, named after the mistake of confusing a squid with a squib Photo: Oxford University Press

Heading the list was the expression 'at the end of the day', which was followed in second place by the phrase 'fairly unique'.

The tautological statement "I personally" made third place – an expression that BBC Radio 4 presenter John Humphreys has described as "the linguistic equivalent of having chips with rice."

Also making the top 10 is the grammatically incorrect "shouldn't of", instead of "shouldn't have".

The phrases appear in a book called Damp Squid, named after the mistake of confusing a squid with a squib, a type of firework.

The researchers who compiled the list monitor the use of phrases in a database called the Oxford University Corpus, which comprises books, papers, magazines, broadcast, the internet and other sources.

The database alerts them to new words and phrases and can tell them which expressions are disappearing. It also shows how words are being misused.

As well as the above expressions, the book's author Jeremy Butterfield says that many annoyingly over-used expressions actually began as office lingo, such as 24/7 and "synergy".

Other phrases to irritate people are "literally" and "ironically", when they are used out of context.

Mr Butterfield said: "We grow tired of anything that is repeated too often – an anecdote, a joke, a mannerism – and the same seems to happen with some language."

The top ten most irritating phrases:

1 - At the end of the day

2 - Fairly unique

3 - I personally

4 - At this moment in time

5 - With all due respect

6 - Absolutely

7 - It's a nightmare

8 - Shouldn't of

9 - 24/7

10 - It's not rocket science

Last Shot Now Out....In Russian!

The Russians, I think, make the coolest, toughest covers. This one for Last Shot looks like a movie one-sheet. Having just visited Russia and acquainted myself with various personalities there, I had to laugh at Guy Ritchie's portrayal of the Russian hitmen in Rockandrolla. No matter the injuries, they keep coming! Garth Ennis also had a great Russian hitman in his Punisher MAX run -- one of my favorite new characters he introduced.

So I consider this cover a celebration of everything that's bad-ass about Russia.

Tomorrow is Punisher/Foolkiller Day

Wolverine is Coming to Town

December.

Comics on Comics

With Marc Evanier, Asterios Kokkinos, Kathryn Lyn, and Robbie Peron, I did a panel called Comics on Comics at the West Hollywood festival -- comics book creators and comedians discussing (in smart-ass fashion) the state of the comic-book industry. It was a blast and really funny - available for watching here, or iTunes download here.

Smoking in Moscow

I love cigars. In the scene in The Crime Writer, where Drew Danner gets home from court, goes out back, and smokes a cigar on his back deck....well, that's my deck. And it was my cigar too (fictional cigar-swiping bastid!). When I was in Russia, Smoke Magazine interviewed me, and photographer Dima Gushchin took a bunch of pictures for a big feature article. Here's a few of them, showing me puffing smugly away, with furrowed brow and a (I hope) an aura of gangsta gravitas.

On the entertainment front, I suggest you all see Burn After Reading, which embodies the level of brilliant quirkitude we've come to expect from the Coen brothers. Appaloosa has some great scenes and moments (Two men lying wounded in the dirt after a shootout. "Well, that was quick." Reply: "Everyone knew how to shoot.")

And, lastly, if you're not reading Eric Powell's The Goon, why the hell not?

Vigilante Madness

This week.

Back From Russia

I went to Russia for the Moscow Book Fair, and for a lineup of interviews, signings, and presentations. Between Moscow and St. Petersburg, I had a lot of adventures and no shortage of fun, and I even got to see Lenin's pickled body on its slab outside the Kremlin. All four Rackley books are in translation there, and it was really interesting to see how different the questions were posed by Russian readers -- a very informed, intellectual crew. I hope to have some pictures to post shortly, but for now, it's jetlag and catch-up!

Wizard Interview re: Punisher

Here's my latest interview for Punisher, from the folks at Wizard.

Glasvegas

This is the best new band I can remember hearing. Or, I should say, I can't recall the last time I was so excited by a group.

Out of Glasgow, they're sort of Phil Spector Wall of Sound meets U2, strained through The Jesus and Mary Chain with, uh, du-woop?! James Allan, the lead singer and writer, is a poet.

In particular, you need to check out "Flowers and Football Tops," "Geraldine," and "Daddy's Gone." Find the lyrics on line -- some of you might need a little help with the Glaswegian accent.

As a writer, I don't usually write about bands, but these lyrics are gorgeous with a strong narrative drive. And beside, hell, if I'm this excited by anything....

Many thanks to writer buddy David Young for referring me to them (and I stole part of his description).

Punisher Interview

Here's an interview with the good folks at Comic-Related about Punisher 61, my run on the title, and coming violence.

One Day, Two Comics

This Wed, the second Foolkiller in the second limited series came out, with a special guest appearance by....the Punisher.

And my first Punisher - cover by Dave Johnson, art by the inimitable Laurence Campbell, also hit stands.

It's a vigilante two-fer....

Coming To You From Chiang Mai, Thailand

One of the more unusual sightings of The Crime Writer, courtesy of Kyle Khasigian...

Some Belated Pics from Thrillerfest

Here I am with Bob Crais and Überagent Aaron Priest. And below is Crais and Coben with the brilliant Lisa Erbach Vance. We had a great time at the awards; our table included me, Harlan Coben, Robert Crais, Aaron Priest, Lisa Erbach Vance, Lucy Childs, David Hosp, and David Baldacci. A good crew.

Comic-Con

Pretty much lives up to the hype. Now I'm not the biggest convention person, but I have to say, the range of cool shit on hand was, well, pretty extraordinary. Among the highlights were sharing a softball infield with Marvel legend John Romita, Jr., then signing next to him a day later, catching up over dinner with the inimitable Howard Chaykin, and wandering the floor to see which artists' work caught my eye. My favorite "discovery" (he's been around longer than I have, but I only discovered him this weekend) is Mike Sosnowski, an incredible artist. Check out "The Culprit" - I picked up a print for the house.

He's Baaa-acck!

Foolkiller #1 of 5. Short Time. Arc title: White Angels. On stands today.

Jesse Kellerman

Jesse Kellerman's novel, Trouble, was nominated in the same category as The Crime Writer for the ITW Thriller Awards (from which I just returned - another glorious six-hour delay at JFK, this one involving a panic-attack-having passenger in a Detroit Tigers jacket forcing our return to the gate, thereby losing us our spot in the lengthy queue for takeoff. In fairness, if I was a Tigers fan this season, perhaps I'd be having panic attacks too. But we digress.).

So.

I thought, in a show of graciousness, I should read said book so I could have something pleasant to say to Jesse should we cross paths, or -- if said book proved unworthy -- so I could generate a suitable compliment ("The font was really lovely." "That book jacket - wow!" "I really like your shoes.")

Well.

About thirty pages in, I had that feeling of excitement. You know the one - where you realize that not only have you hooked into a book that you Love, but that you are reading an author who you know that you will be reading for years to come. It is not an exaggeration to say that his is the most exciting new voice in crime fiction I've read in years.

I gave my copy to a friend I saw in New York. Got another one for my sister. Pitched the lady sitting next to me on the plane. Emailed my agent, and my editor. Mentioned it to a screenwriter buddy at lunch. Yeah, that kind of book. Dark and sophisticated, with a playwright's dialogue and a psychologist's, uh, uh, insight. And good words and stuff, too.

His other novels, Sunstroke and The Genius, are on my list, to be bought on my next bookstore trip. Trouble should certainly be on yours.

Thrillerfest 2008

I'm off to ThrillerFest in New York. Should be a lot of fun. It'll be the biggest collection of thriller writers in one hotel in a long time, with David Baldacci, Harlan Coben, Robert Crais, Sandra Brown, James Patterson, Brad Thor, Kathy Reichs, R.L. Stine, Lee Child, Heather Graham, and more. My panel with other Thriller Award nominees is Saturday at 11, but each day will be filled with workshops, panels, and speeches on everything from martial arts to forensics to clichés that piss writers off. I think it not unreasonable to predict that bourbon will be in evidence as well.

The Crime Writer Out In Paperback

On June 24, the paperback of THE CRIME WRITER will launch. The cover is more or less the same, with a few added blurbs from Dennis Lehane, Robert Crais, Lee Child, and Brad Meltzer.

Also, in addition to being nominated for Best Novel from International Thriller Writers, the book (as I SEE YOU) has been shortlisted for the Ian Fleming Steel Dagger. Which, in addition to being a great honor, has the all-time best name for a literary prize.

On the eve of this wider launch, I wanted to take a moment to thank readers, booksellers, reviewers, and librarians for their stunning support of this book, and their help in making it an instant international bestseller.

Stan Winston

Another great one, gone too soon.

Writing Quotation of the Week

File this one in the "show, don't tell" category.

"Good writing is supposed to evoke sensation in the reader—not the fact that it is raining, but the feeling of being rained upon."
--E.L. Doctorow

One of the Greats

Sydney Pollack, rest in peace.

A Favorite New Foreign Cover

From Spain. I love this one. It took a few looks to pick up the scalpel in place of the pencil. It's so great when a foreign edition arrives with a really masterful cover like this one.

Nobody's Fool

Today.

The end of the five-comic limited. All five comics will also soon be collected in a trade edition, also available at your nearest comic book store.

Stay tuned for the next Foolkiller limited, which will be called White Angels.

New Sheriff In Town

Some art from my first Punisher (#61).

Thank you, Laurence Campbell (interiors).

Thank you Dave Johnson (cover).

Blurb Bitching II: Bride of Blurbs Bitching

Okay, I got a fair number of emails in response to my Blurb Bitching blog entry (some months back) so I thought I’d answer the main questions being put to me.

What makes you more likely to blurb?

1. A personalized letter from the author. I’ve gotten a few really great letters from editors that made me crack a galley, but for the most part, if the author doesn’t even have time to enclose her thoughts, I generally don’t have time to read her manuscript. So don’t leave it solely to your publicist/editor/agent/friend who walks dogs with Thomas Harris. Have them do the hand-off, but make sure you get your voice in there.
2. If the person requesting a blurb from me is familiar with my work, and makes that somewhat clear in the cover letter. Nothing says arrogance like an unpublished writer asking me to read his manuscript who hasn’t bothered to read one of my books. When it came to the authors I asked for blurbs from, I made sure I’d read virtually everything they had in print. An if their oeuvres were unrealistically weighty, I made sure I’d read at least four or five of their novels.
3. I won’t blurb books from vanity presses.
4. If the damn thing looks good. I don’t care if it’s a social novel or a book of lesbian haiku, the first few pages better sing.
5. (And here I feel like Ms. Curmudgeon, your high school college admissions advisor): Don’t make dumb-ass spelling and grammar errors in your cover letter. If you can’t be bothered to figure out the difference between “it’s” and “its” in a one-paragraph cover letter, you probably shouldn’t be pointing a 300-page manuscript my direction.

Will you always blurb your friends even if their books suck?

No. And Ayn Rand better quit asking.

Do you ever tell people you don’t like their books?

No. They’re not asking for a critique, just a blurb. So I’m not reading looking to be helpful from an editorial perspective. I never want to undermine a young (or old, for that matter) author early in her career with a rejection, so I will often beg off mediocre manuscripts due to exigencies of schedule, etc.. Often this isn’t an excuse; much of the time it’s true.

The Punisher

As was announced this weekend, I will be writing the next Punisher arc after Garth Ennis's legendary run on the title. My five-book arc will be called "Girls in White Dresses," and it'll be followed by arcs by Duane Swierczynski and Victor Gischler, both of which I'm really looking forward to. You can tell I'm up for the challenge by the fact that I just wrote "arc" three times in two sentences.

Website for the Sick and Twisted

A buddy of mine forwarded on this link. A pretty amazing look at that most American of conventions: the last meal on death row.

What would you order?

Battlestar Galactica Season 3 Out On DVD

If you don't like Battlestar Galactica, you have no soul.

I'm just sayin'.

Three Books

I recently finished April Smith's Judas Horse and was blown away by her command of character and language. The book is rich and sophisticated and yet never overdone. There's not a sentence in there that's a stretch. She does something I admire very much; she can give us a perfect understanding of a character in a few paragraphs, while never resorting to stereotype. It's a fine line, and she walks it beautifully.

I also finished Marcus Sakey's The Blade Itself -- such an impressive novel, particularly for a debut. He really knows how to ratchet up the suspense, one step at a time. It's a very capable, tight, well-constructed thriller. He unafraid to locate flaws - and fault - within his protagonists, something a lot of writers shy away from. And that makes his protag so much more easy to identify with. We really feel his predicament. It's also such a lean book. Everything in the service of plot. And yet he still manages to cover his bases and get in enough character work to make it a compelling read. I can't remember the last time I read a book that quickly.

Finally, my boy Ross Macdonald's Black Money. And with him, it's best to let him speak for himself:

"They were innocent eyes, not youthful but innocent, as if they perceived only pre-selected facts."

"He was retreating angrily into bad grammar."

"The pictures on the wall were all religious, and there were so many of them that they suggested a line of defense against the world."

"It was a moral hardship for me to walk away from an unclosed case."

From Russia With Love

The Rackley books have been getting some nice attention in Russia, where The Kill Clause and Troubleshooter have already come out from my excellent publisher, Geleos. In 2008, The Program and Last Shot will be published. A few months ago, I posted the Russian Troubleshooter cover, one of my favorite foreign covers ever. Here's The Program.

International Thriller Writers Announces 2008 Nominations

ITW just picked their five bests in three categories. Lovely news, and great to be nominated along with my buddy, Robert Crais.

BEST NOVEL 2008
No Time For Goodbye by Linwood Barclay (Bantam)
The Watchman by Robert Crais (Simon & Schuster)
The Ghost by Robert Harris (Simon & Schuster)
The Crime Writer by Gregg Hurwitz (Viking)
Trouble by Jesse Kellerman (Putnam)

BEST FIRST NOVEL 2008
Interred With Their Bones by Jennifer Lee Carrell (Dutton)
Big City, Bad Blood by Sean Chercover (William Morrow)
From the Depths by Gerry Doyle (McBook Press)
Volk's Game by Brent Ghelfi (Henry Holt and Co.)
Heart-Shaped Box by Joe Hill (William Morrow)

BEST PAPERBACK ORIGINAL 2008
The Last Nightingale by Anthony Flacco (Ballantine)
A Thousand Bones by P.J. Parrish (Pocket)
The Midnight Road by Tom Piccirilli (Bantam)
The Queen of Bedlam by Robert McCammon (Pocket)
Shattered by Jay Bonansinga (Pinnacle)

Introducing....A New Type of Assassin

Today.

Meet Sickle Moon.

Spring Training

Ah, there is a new bounce to my step with the return of the smell of freshly mowed outfield grass. Baseball is art. It is opera. With its delightful nine-act structure -- meticulous strategy punctuated by bursts of action -- it is the best sport for the (criminally) literary minded.

I give you two quotations from -- of all people -- George Will:

"Baseball, it is said, is only a game. True. And the Grand Canyon is only a hole in Arizona. Not all holes, or games, are created equal."

And to counter the naysayers:

"Football combines the two worst things about America: it is violence punctuated by committee meetings."

The prosecution rests.

Mitch Hedberg on Screenwriting

"I wrote a script and gave it to a guy who reads scripts. He said he loved it, but I had to rewrite it. I said, 'Fuck that, I'll just make a copy.' "

Rip Torn and Normal Mailer On-Camera Fight

Really, you must watch this.

During the filming of Maidstone, Torn hits Mailer on the head with a hammer. Then Mailer mostly bites his ear off. This is what we call literary mayhem.

The Razzies Announced for Worst Movie Honors

All I have to say for Linsay Lohan is....ouch.

Here they are:

Worst Picture:

I Know Who Killed Me

Worst Actor:

Eddie Murphy, 'Norbit'

Worst Actress:

Lindsay Lohan, 'I Know Who Killed Me'

Worst Supporting Actress:

Lindsay Lohan (as Aubrey), 'I Know Who Killed Me'

Lindsay Lohan (as Dakota), 'I Know Who Killed Me'

Worst Screen Couple:

Lindsay Lohan & Lindsay Lohan, 'I Know Who Killed Me'

Worst Remake or Rip-Off:

I Know Who Killed Me (Rip-Off of 'Hostel,' 'Saw,' and 'The Patty Duke Show')

Worst Prequel or Sequel:

Daddy Day Camp

Worst Director:

Chris Siverston, 'I Know Who Killed Me'

Worst Screenplay:

Jeffrey Hammond, 'I Know Who Killed Me'

Worst Excuse for a Horror Movie:

I Know Who Killed Me

Quotation of the Week

I got this appended to an email from a Navy SEAL buddy. I think it's a great one:

“As iron sharpens iron, so one man sharpens another.”
--Proverbs 27:17

Print on Demand - A Dream of the Future?

I just finished reading RETURN FROM THE STARS by Stanlislaw Lem, renowned Polish science fiction writer (I would venture to say he is the MOST renowned Polish science fiction writer, but that sounds too much like a joke).

Published in 1961, this book has this vision of the future of publishing:

"The originals—crystomatrices—were not to be seen; they were kept behind pale blue enameled steel plates. So a book was printed, as it were, every time someone needed it. The question of printings, of their quantity, of their running out, had ceased to exist. Actually, a great achievement, and yet I regretted the passing of books."

Sound familiar?

Smart-Ass Quotation of the Week

"The world is overstocked with people who are ready and eager to teach other people to write. It seems astonishing that so much bad writing should find its way into print when so much good advice is to be had."
--Robertson Davies

Horror Movie of the Year

Far and away the best horror movie I've seen this year - in fact, in many years, is The Orphanage. I don't want to say anything about it for fear of giving away anything. But it is a staggering psychological study. There are virtually no cheap thrills, just a slow, mounting terror. It is amazing.

And while I'm on movies, I should list my favorites of the past year (since, for the first time, I'm not on any best-film or -script panels, so I'm not sworn to secrecy).

Best Drama: Michael Clayton.
Best Comedy: Juno.

What were your favorite movies of 2007?

Oh, and here's a great little real-life amateur detective story you might enjoy.

Advice of the Day

"Never be the brightest person in the room."
--James D. Watson

On Art and Editing....and Editing....and Editing

"Art is never finished, only abandoned."

Leonardo da Vinci

Guess the Country...

...and the book.

This is one of my favorite foreign covers for one of my novels.

Foolkiller #3

Today.

A Word on the Strike

I attended a Writer’s Guild Meeting last night, where members heard from the negotiating committee and Guild leadership. One of the tactics of the AMPTP has been to portray our leadership as crazy, power-drunk, and out of touch with the demands of the business and the interests of our membership.

Like many writers, I am not a joiner nor a big fan of groups. I wasn’t a boy scout; I’ve never been a member of a church or temple; I didn’t join a frat in college. Clubs and allegiances make me slightly nervous, and I’ve never had a taste for chants and slogans. Usually when large groups unite behind a cause, I can’t stomach the dogma that inevitably emerges. So you can imagine that the “brotherhood” aspect of the strike is not one that I cotton to naturally, nor am I inclined to believe that leadership—of any kind—will adequately represent my interests or viewpoint.

Add to that the fact that it is always more fun and seemingly more sophisticated to be cynical. It’s always easier to cast a jaundiced eye, to be the one who sees through the bullshit, who knows a better angle, who has the caustic aside that breaks up the lockstep of the zoned-out masses.

Like everyone else who works in Hollywood, I have followed this strike closely because of what’s at stake. And in last night’s meeting, as in the previous guild meeting, I can report that there was not a single strategy, proposal, or explanation presented to me by WGA leadership and the negotiating committee that I disagreed with.

Not one.

Our leadership, our negotiating committee, our positions are eminently reasonable, considered, and, yes, sane. These are complicated issues, and most people don’t have a clear grasp of them. What is at stake is New Media. The internet. How films and TV shows will be distributed. What is at stake is the future and how—indeed if—writers will be compensated in it.

Coming to Hollywood as an author, I was amazed at the benefits and infrastructure provided to me as a screenwriter. Health care. Pension. Residuals. Minimums. There’s not a day I’ve worked in L.A. that I’m not grateful for these benefits—benefits that provide for my family and that allow me to continue to do my job. These benefits were won by the sweat and courage of men and women who had much more to lose and who took greater risks than those before us now. These benefits were won by the sacrifices others made for future generations, for me.

This membership, this year, cannot dissipate those gains. We cannot cave in to an unfair deal that writers decades from now will be saddled with. This is a watershed contract. Future writers will look back to this year, to this contract, to us, every day as they live with what our resolve and respect for writing yielded. They can look back on us with the same gratitude we look back on those who came before us. Or they can look back with disappointment.

We’d be well served to remember that this contract isn’t just for us.

In full support,

Gregg Hurwitz

Foolkiller #2

Now that Foolkiller #2 is out, some of you might recognize these comics that young Mike Trace tries to steal from the pawnshop. Does anyone know their significance?

More Mailer

I seem to be missing Norman Mailer today. So here's another favorite quotation.

“Being a man is the continuing battle of one’s life, and one loses a bit of manhood with every stale compromise to the authority of any power in which one does not believe.”
-N.M.

The Squeeze

This article, from Yahoo news, seems like bad news all around.

Here's the opening....

NEW YORK - The latest National Endowment for the Arts report draws on a variety of sources, public and private, and essentially reaches one conclusion: Americans are reading less.

The 99-page study, "To Read or Not to Read," is being released Monday as a follow-up to a 2004 NEA survey, "Reading at Risk," that found an increasing number of adult Americans were not even reading one book a year (bold mine).

Norman Mailer, R.I.P.

"You don't really know a woman until you meet her in court.”
--Norman Mailer

The Crime Writer/I See You Charts Update

The Crime Writer debuted in the US as an LA Times Top 10 bestseller.

As I See You, it spent 11 weeks on the Ireland bestseller list, 5 of those in the top ten.
4 weeks on the bestseller list in the UK.
4 weeks on the bestseller list in Australia.

So a great start for the English territories. Still to come: France, Italy, Germany, Holland, Spain, Japan, Israel, Poland, and more.

I feel fortunate to have such a great group of readers, librarians, sales reps, and editors.

Everybody Plays The Fool

And, alas, me too. My editor, Axel Alonso, sent me this jpeg some time back, telling me that it would be the first Foolkiller cover. I opened it with great excitement....

Oh well, can't win 'em all.

There's a fun - and unusual - interview with me up at Silver Bullet Comics in anticipation of the first Foolkiller's launch, which is tomorrow!

Lan Medina Art

Here's a peek at some art from the first Foolkiller, coming out Oct 23. Lan Medina strikes again!

For a cool new montage of comic art, put together by my MySpace guy, Eric Thoma, check this out.

He's Heeere!!

In comic book stores everywhere.

Dispatches from the Front

The Crime Writer (I SEE YOU) has now launched in Australia, where it debuted on the bestseller list.

Stay tuned for comic news soon. Wolverine and the Foolkiller slashing into stores next month.

And a new cover -- guess the book, guess the country.

Honest Abe with the Quotation of the Week

Things may come to those who wait, but only the things left by those who hustle.
--Abraham Lincoln

The Deathsong of J Patrick Smitty

More art.

Another interview.

Who knew it could get this bloody.

Audio

The Crime Writer is now out in audio format from BBC Audiobooks America, read by
Scott Brick (who does an excellent job). It'll be available soon also in download format from amazon, audible.com, and iTunes.

Why All Writers Should Read Jung

"One does not become enlightened by imagining figures of light, but by making the darkness conscious."
- C.G. Jung

Tour Reading

Now and then, we all go through a spell of reading where everything we pick up, well, sorta sucks. I'm having the pleasure of blazing through a winning streak, where I like every book as much as the last. Having just wrapped my main part of my book tour (which gives me lots of reading time), I have a few new favorites to report on.

Caught Stealing by Charlie Huston. This was recommended to me by my editor at Marvel, as Charlie writes Moon Knight for him. It is gritty, smart, intelligent, and fast-paced. A great down-and-dirty noir read. I've heard his next up, The Shotgun Rule, is also excellent.

Lullaby by Chuck Palahniuk. I came into this one reluctantly, having never read Palahniuk, and being the only male in the United States who didn't love the movie version of the Fight Club. I was really blown away by Palahniuk's skill—amazing character development, sharp dialogue, and real poetic beauty.

Bangkok 8 by John Burdett. I know, I know, I'm behind the times, as usual. I generally don't like books set in "exotic locations" (forgive the term), because said locations are usually an excuse to avoid a plot, but Burdett handles all sides of this dirty little mystery with mastery.

Fuck Noir, anthology edited by Jennifer Jordan. A cracking, really smart introduction by Mark Billingham sets the tone for this edgy collection. And a variety of names you'll recognize contribute, all giving an homage to that king of all words.

Along my tour, smart mystery booksellers insisted I buy: Big City, Bad Blood, by Sean Chercover, and The Blonde, by Duane Swiercynski. So I have more reading—recommended from reliable sources—to come.

I See You

I SEE YOU is the name of THE CRIME WRITER in the UK, and the book has just rolled out these past few weeks (jumping from #22 to #7 on the bestseller list for Ireland). Chris High, master of crime-fiction reviews and interviews, posted one of each for me on his superb website. Click here for an interview with yours truly, and here to see his take on I See You.

I've been getting lots of emails from readers of I SEE YOU, from England to Ireland to Australia. Keep 'em coming!

Tour Update

Hello all,

Apologies that I've been scarce around here. I've been on tour, and so far have hit San Diego, Los Angeles, San Francisco, San Jose, Seattle, Minneapolis, Houston, and Phoenix. Great events, and even greater meeting readers from all over. The booksellers have been really spectacular this time around, making The Crime Writer a staff or club pick in numerous places, and I've greatly appreciated that. The Crime Writer hit the top ten on bestseller lists in Los Angeles and Ireland this week, too, which has been great. I've got a few more stops left -- around LA, Boston, Milwaukee, and will be adding more, so if you haven't yet, please come by and say hello.

Tales From Minneapolis

You've probably read about the terrible bridge collapse by now. While I was stock signing, my escort/driver, Tim Hedges, decided to take a different route into the city, so we steered clear of the bridge. This was in the same half hour of the collapse.

The city was pretty shocked, but I was pleased to arrive at Scene of the Crime to a happier scene; Gary and Pat had gotten married in the store about 15 minutes before my arrival. I've never had to be the follow-up act to a wedding, and I fear I paled in comparison, but here's wishing two wonderful people a wonderful marriage.

The Opening of The Crime Writer

I woke up with IVs taped to my arms, a feeding tube shoved through my nose, and my tongue pushed against my teeth, dead and thick as a sock. My mouth was hot and tasted of copper, and my molars felt loose, jogged in their beds from grinding. I blinked against the strong light, and squinted into a haze of face, too close for casual—a man straddling a backward chair, thick forearms overlapped, a sheet of paper drooping from one square fist. Another guy behind him, dressed the same—rumpled sport coat, loose tie offset from open collar, glint at the hip. Downgraded to bystander, a doctor stood by the door, ignoring the electronic blips and bleeps. I was in a hospital room.

With consciousness came pain. No tunnels of light, no bursts or fireworks or other page-worn clichés, just pain, mindless and dedicated, a rottweiler working a bone. A creak of air moved through my throat.

“He’s up,” said the doctor from faraway. A nurse materialized and fed a needle into the joint in my IV. A second later the warmth rode through my veins and the rottweiler paused to catch his breath.

I raised an arm trailing IV lines and fingered my head where it tingled. Instead of hair, a seam of stubble and stitches cactused my palm. Lightheadedness and nausea compounded my confusion. As my hand drifted back to my chest, I noticed dark crescents caking the undersides of my nails.

I’d dug myself out of somewhere?

The cop in the chair flipped the piece of paper over and I saw that it was an 8 x 10.

A crime-scene photo.

A close-up of a woman’s midsection, the pan of the abdomen caked with dark blood. A narrow puncture below the ribs faded into blackness, as if a stronger flashbulb were required to sound its depths.

I raised a hand as if to push away the image and in the dead blue fluorescence I saw that the grime under my nails carried a tinge of crimson. Whether from the drugs or the pain, I felt my gorge rise and push at the back of my throat. It took two tries and still my voice came out a rasp, barely audible around the plastic tube. “Who is that?”

“Your ex-fiancée.”

“Who…who did that to her?”

The detective’s jaw shifted once, slowly, left to right. “You did.”

Crimespree

Crimespree is one of my favorite magazines, run by Jon and Ruth Jordan, two of the smartest people in Crime Readerland (and the fiction editor is the inimitable Jen Jordan). So I'm flattered to be on the cover of the latest issue with Lee Child. Inside, Lee and I discuss everything from drinking to James Bond to sock puppets.

Crimespree is well worth checking out. Oh, and there's a supplemental blog, too, with more tidbits about crime, books, flicks, shows, and comics.

First Person

I'm getting asked a lot, in pre-pub interviews, why the move to first person for the first time in my career. I started out with three stand-alones, and then came the four Rackley books--all in third person. I knew somewhere during my writing of Last Shot that the next book was going to be a departure. A big departure. I love the stand-alone, and was ready to create a completely new world and cast again. I needed some fresh blood. I think the fact that I wrote The Crime Writer in the first person is probably because of how close I felt to Drew. The main challenge (aside from not starting every sentence with “I”) is, of course, viewpoint. In that all information—and all clues—are funnelled through one man’s perspective. And since it’s a novel of paranoia, well, there are distinct pragmatic advantages to first person, in that you can keep twisting the reader's understanding, one turn of the screw at a time.

Meet the Foolkiller

Here he is, in all his glory. The first comic in the 5-book Foolkiller arc will be released from Marvel in October (along with a Wolverine Annual that I wrote), later to be compiled as a graphic novel. The art (and cover) are from the inimitable Lan Medina.

I talk about the inspiration behind the character here.

For an interview about Marvel Max (and Foolkiller) with my editor, Axel Alonso, click here.

Wolverine

This weekend, Newsarama ran a sneak peek of the Wolverine Annual I wrote, titled, THE DEATH SONG OF J. PATRICK SMITTY. The art, by Marcelo Frusin, is amazing -- I couldn't be more pleased with the job Marcelo is doing. I'm quickly learning that the artist, in comics, makes the writer look more talented.

Bum Beating

I'd say this article wins the award for Most All Around Ugly. The event, the parallels drawn, and the interpretation offered.

Note the ominous phrasing of "influenced by" below. I wonder what else those young men were influenced by, and what the respective weight of those influences was. People are influenced by anything they come into contact with. There is an enormous—enormous— difference between influence and causation, as the article suggests, and as countless morally indignant groups will surely maintain. (I also love the sneeringly sanctimonious statement at the end from the Bumfights website).

--

DAYTONA BEACH, Fla. -- One of several teenagers who beat a homeless man to death was influenced by videos featuring homeless people brawling and performing dangerous stunts, according to a television interview transcript.

Jeffery Spurgeon, 19, expressed his first public remorse for the May 2005 killing in the interview that will air Sunday on CBS' "60 Minutes." It was conducted from a Jasper penitentiary where Spurgeon is serving an up to 35-year sentence.

Spurgeon said he and the others beat Michael Roberts, a frail 53-year-old homeless man who lived in the woods, "for fun." He said they were emulating scenes from "bum-rushing videos," according to the transcript. He mentioned "Bumfights," a video series available online, as a favorite.

Roberts died after three separate attacks with sticks, fists and logs. Justin Stearns, 19, Christopher Scamahorn, 16, and Warren Messner, 17, also were convicted and are serving prison terms from 22 to 35 years. Phi Huynh, 16, the fifth member of the group charged in connection with the attacks on Roberts, is awaiting trial.

Neither Spurgeon nor the others explained why they attacked Roberts during a weeklong sentencing proceeding in April, and Spurgeon's attorney Mitch Wrenn said the "60 Minutes" interview surprised him.

"I don't remember anything about bum fighting coming up," he said.

The videos depict homeless men and women engaged in humiliating, self-destructive acts, including ripping out teeth and ramming themselves into doors.

According to the Bumfights Web site, the videos are satire meant to call attention to the problems of poverty and violence.

My Favorite Vonnegut Quotation Of All Time

"If you really want to hurt your parents, and you don’t have the nerve to be gay, the least you can do is go into the arts."

Kurt Vonnegut, A Man Without A Country

Welsh Bar Lays Down Folk Wisdom

PISCES MORTUI SOLUM CUM FLUMINE NATANT -- an inscription over a Welsh bar. Translation: “Only dead fish go with the flow.”

Quotation of the Day

Life shrinks or expands in proportion to one's courage.

--Anais Nin

Burn Books For Literacy!

Check out Tod Goldberg's article on this bizarre argument here at Jewcy. In the piece, I offer my thoughts on the bookstore that is burning its stock.

Gary Ross on Screenwriting

If you do it for yourself, it will come out fine. If you do it for other people, you will turn into an ungodly disposable beast and you won't recognize yourself in a few years."

The Problem (or not) with Reviewing Mysteries

In this article on detective fiction by Edmund Wilson in The New Yorker, he claims, "I began to nurse a rankling conviction that detective stories in general profit by an unfair advantage in the code which forbids the reviewer to give away the secret to the public—a custom which results in the concealment of the pointlessness of a good deal of this fiction and affords a protection to the authors which no other department of writing enjoys. It is not difficult to create suspense by making people await a revelation, but it demands a certain originality to come through with a criminal device which is ingenious or picturesque or amusing enough to make the reader feel the waiting has been worth while."

This is interesting -- sort of like the dilemna faced when editors cut a trailer for a movie or when editors write flap copy. How much are you allowed to give away without revealing too much? Trailers often err in the direction of giving too much away just to get you in the seats. I noticed a trend starting maybe five years back of trailers revealing the second act close (usually around 60-90 minutes into a film). Which leaves little in the movie to surprise you.

Do you think reviewers are handicapped by the inverse problem? They can't give too much away without readers and authors crying foul play? So if a mystery is bad, they're limited in how they present their argument?

What's your vote?

The Master

We understand that fiction is a lie to begin with. To ignore the truth inside the lie is to sin against the craft, in general, and one's own work in particular.
--Stephen King

Oldboy

Oldboy is one of my favorite films, a South Korean thriller, and -- some are claiming -- a piece of the inspiration behind the Virginia Tech mass murder.

I'm certain this will reignite debate over whether violence in entertainment leads to real-life violence. Those of you familiar with my books probably can guess my position on that. The notion that a film or book would be the impetus to a mass murder (rather than merely providing sick-minded stylistic flourishes) seems to me inane. Back to the old saw about book censorship -- you never hear anybody say, "I believe this book should be banned because it might be harmful to ME." Does anyone out there believe they shouldn't see Oldboy in case they suddenly feel compelled to murder 33 innocents?

One of my favorite lines on this topic was given by A.M. Homes (one of my favorite authors). She wrote a brilliant novel called The End of Alice, which depicts a girl being stabbed to death. When asked by a reviewer how she would feel if her book was found in the house of someone who murdered a child, A.M. replied, "That’s like asking somebody who makes steak knives how they would feel if their knife was found in the home of someone who murdered someone."

Are we to believe, if we regard the constellation of illnesses and influences that turned Cho Seung-Hui into a mass murderer, that Oldboy was a major one? Or even the straw that broke the camel's back?

However, I do take issue with NBC's decision to air the self-aggrandizing footage Seung-Hui took time out to film between rounds of gunfire. Televised sports long ago made a decision not to air footage of streakers or people who storm the field or court. Because, hell, if it gets you international air time, it'll encourage more people to do it. NBC's complying with Seung-Hui's wishes that he be made a star hold him up, oddly, as a figure for other twisted minds on such a path to emulate.

The Oddest Book Title Awards

And now, the moment you've all been waiting for...

Quotation of the Week

"I would live to study, and not study to live."
-- Francis Bacon

The Lookout

This movie is yet another reason to respect Scott Frank. The chess scene and the old man in the farm house (being purposefully vague for those of you who haven't yet seen it) are two examples of hitting precisely the right balance between emotion and subtlety.

Comics 'n TV (and a few more Sport Flicks)

My poll of the moment asked for your favorite comic books and TV shows. Here's what we got:

Comics: Miller's Daredevil, Spider Man, Thor, The Punisher (multiple times, including my vote - esp. for Ennis's work), Marshal Law, The Avengers.

TV: 24, Miami Vice, Law & Order - Special Victims Unit, Quantum Leap, X-Files (hell yeah), Twin Peaks, Survivor, Pimp My Ride, Sopranos, Deadwood, Six Feet Under, MASH, CSI Las Vegas, Criminal Minds, Dexter, The Simpsons, The English Premier League Review Show, Lost, The Office, and - the greatest show in the history of television - The Shield.

Others pointed out that Bend It Like Beckham and Rudy were left out of best sport movie contention.

Anything else missing here, folks?

Also, W M Jensen won the contest by successfully guessing - at page 37 - how Walker pulled off the perfect closed-cell escape from Terminal Island. He'll get a cool, signed first foreign edition of one of the Rackley books. Congrats, Bill!

Vigilantism

Some time ago, I was sent an email by a woman asking how I saw the four Rackley books fitting together. I've called the series an "action meditation" on vigilantism because, after all, it's not every day one can coin a pretentious oxymoron. But the books really do each offer a different take on the issue, and each one represents a different step of Tim's development in confronting this issue.

I suppose since all the Rackley books deal with vigilantism, I wanted to portray what kind of trauma would work on an upstanding deputy and make him consider other options. Tim is an ethical, above-board deputy, and it’s not just Ginny’s death that makes him go outside the law; it’s the failure of the courts. He realizes eventually that the courts, while flawed, represent the best hope; more precisely, that the other options present even more problems.

The Kill Clause is about (among other things) Tim's embracing vigilantism, and his ultimate rejection of it.

The Program is about Tim, a man of action, having to act within the law to bring down a cult that victimizes people while keeping within legal limits.

Troubleshooter is about Tim’s internalizing Dray’s values (her consistent rejection of acting outside the law).

Last Shot is about Tim confronting himself, as embodied in Walker Jameson.

Of course, there was no roadmap when I was writing. There was no template or outline that I filled in. Most of this - as with many other matters in my writing - I only realized after the fact. When I'm dug in well to story and character, I rarely consider themes. They just manage to work themselves out.