First big review for Trust No One!
The kick-off party in LA last night was terrific. I'm heading off now to San Diego, NY, Boston, and the Bay Area. Hope to see some of you along the way.
Wednesday, June 24, 2009
Tuesday, June 23, 2009
Monday, June 22, 2009
Pop Culture Nerd
I know. Sounds like me. But it's also a terrific website. I recently did an interview there about Trust No One.
Saturday, June 20, 2009
Vengeance of the Moon Knight


Marvel just announced that I'll be taking over Moon Knight. Terrific art by Jerome Opena - one of my favorites.
http://www.newsarama.com/comics/090620-heroes-moon-night.html
http://www.comicbookresources.
http://marvel.com/news/comicstories.8475.Heroes_Con_~apos~09~colon~_Vengeance_of_Moon_Knight
Check the covers by Alex Ross and Leinil Francis Yu (guess which is Ross and which Yu).
Friday, June 19, 2009
Thursday, June 18, 2009
The Call
In Graphic Novel Reporter, I talk about the morning I got the phone call from Marvel about writing The Punisher.
Sunday, June 14, 2009
Marvel Exclusive
Marvel has just announced my comic-book exclusive with them, and I answered some questions about upcoming projects. Stay tuned for details!
Wednesday, June 10, 2009
Best Reader Email of All Time
Subject line: DO NO HARM saves reader's dog
Dear Mr. Hurwitz:
I got into your books just recently, I enjoy them immensely, yadda yadda yadda.
Last night, I was spraying ointment onto my Old English Bulldog, Maggie, to remedy her irritated skin. A stray squirt hit Maggie in the eye, putting her in dire straits. Luckily, I am in the middle of reading "Do No Harm," so I knew exactly what to do. I immediately grabbed my water bottle that I use to wet my hair, and proceeded to squirt fresh water into her eye for the next two minutes. Her eye was back to 100% soon after, thanks to the fact that I just happen to be a fan of yours. Thank you for saving Maggie's eye. As soon as I find a job and get back out of the financial hole I'm in, purchasing your latest book will be the first thing I do.
Take care,
Scott Awtrey
Dallas, TX
Dear Mr. Hurwitz:
I got into your books just recently, I enjoy them immensely, yadda yadda yadda.
Last night, I was spraying ointment onto my Old English Bulldog, Maggie, to remedy her irritated skin. A stray squirt hit Maggie in the eye, putting her in dire straits. Luckily, I am in the middle of reading "Do No Harm," so I knew exactly what to do. I immediately grabbed my water bottle that I use to wet my hair, and proceeded to squirt fresh water into her eye for the next two minutes. Her eye was back to 100% soon after, thanks to the fact that I just happen to be a fan of yours. Thank you for saving Maggie's eye. As soon as I find a job and get back out of the financial hole I'm in, purchasing your latest book will be the first thing I do.
Take care,
Scott Awtrey
Dallas, TX
Monday, June 08, 2009
"Back and Forth"

My short story, "Back and Forth," will be appearing in an anthology called UNCAGE ME, released July 24. It also features stories by Scott Phillips, Allan Guthrie, Christa Faust, Victor Gischler, J.A. Konrath, J.D. Rhoades, Declan Burke, Brian Azzarello, Steven Torres, Stewart Macbride, Simon Kernick, Patrick Bagley, Greg Bardsley, Stephen Blackmore, Tim Maleeny, Nick Stone, Martyn Waites, Talia Berliner, Maxim Jakubowski, Blake Crouch, and there's an introduction by John Connolly. The inestimably charming Jennifer Jordan edits....
Wednesday, June 03, 2009
On Genre and Respect
I got a very interesting email today from someone writing a PhD in the UK, asking me about garnering literary respect with "genre" fiction.
Here's what I wrote back:
When it comes to genre and respect, I like to rip off Oscar Wilde: "Books are well-written or badly written. That is all."
I am, at heart, a story guy and a structure slut. I studied Shakespeare, particularly the tragedies, because they are terrific thrillers. Macbeth - great mob tale. Hamlet: ghost story. Othello: pre-noir. Etc. Stateside, I love Faulkner - the corncob rape scene in Sanctuary? Need we say more about lurid classifications? I collect his paperbacks from the 50s for their great pulp covers. I enjoy terrific stories where I can find them, and one can find them in all sections of a bookstore. There's a lot of poorly written stuff as well, both "literary" and "commercial," the only distinction seeming to be that commercial crap actually makes the authors money (if you write in cliches, get published, and DON'T make money, well that's an even sadder state of affairs). I also like to point out that "commercial" writing extends across the boards; Updike did okay for himself. Dickens never had trouble paying the rent -- and his literary reputation has survived relatively well. James M. Cain's The Postman Always Rings Twice was the inspiration for Camus's The Stranger. When Gertrude Stein came to California, she only wanted to meet Dashiell Hammet (okay, Chaplin too, but that dilutes the anecdote).
I think crime fiction has replaced the social novel. I'd press someone to find a better practioner of the craft than, say, Poe or Chandler or Lethem or Lehane -- or to find someone who better reveals to us a city or a family or a moral conundrum.
But I find it's no use getting defensive - one can't really win arguing that he or she should be taken more seriously. Better to write as goddamned well as one can manage, and let people sort it out a couple hundred years hence.
Here's what I wrote back:
When it comes to genre and respect, I like to rip off Oscar Wilde: "Books are well-written or badly written. That is all."
I am, at heart, a story guy and a structure slut. I studied Shakespeare, particularly the tragedies, because they are terrific thrillers. Macbeth - great mob tale. Hamlet: ghost story. Othello: pre-noir. Etc. Stateside, I love Faulkner - the corncob rape scene in Sanctuary? Need we say more about lurid classifications? I collect his paperbacks from the 50s for their great pulp covers. I enjoy terrific stories where I can find them, and one can find them in all sections of a bookstore. There's a lot of poorly written stuff as well, both "literary" and "commercial," the only distinction seeming to be that commercial crap actually makes the authors money (if you write in cliches, get published, and DON'T make money, well that's an even sadder state of affairs). I also like to point out that "commercial" writing extends across the boards; Updike did okay for himself. Dickens never had trouble paying the rent -- and his literary reputation has survived relatively well. James M. Cain's The Postman Always Rings Twice was the inspiration for Camus's The Stranger. When Gertrude Stein came to California, she only wanted to meet Dashiell Hammet (okay, Chaplin too, but that dilutes the anecdote).
I think crime fiction has replaced the social novel. I'd press someone to find a better practioner of the craft than, say, Poe or Chandler or Lethem or Lehane -- or to find someone who better reveals to us a city or a family or a moral conundrum.
But I find it's no use getting defensive - one can't really win arguing that he or she should be taken more seriously. Better to write as goddamned well as one can manage, and let people sort it out a couple hundred years hence.
Monday, June 01, 2009
Saturday, May 23, 2009
Behind the Times
As usual, I'm behind the times when it comes to reading books - especially high profile books. But these two live up to the hype.
Tom Rob Smith's Child 44 - a tale of a Soviet policemen trying to solve a series of child murders in Stalinist Russia. The genius of the book isn't merely in its evocation of that time, but in the fact that we meet a protagonist as he is growing disillusioned with the very system that he represents - as he is trying to catch a murderer who the state refuses to admit exists.
Timothy Hallinan's A Nail Through the Heart - recommended to me by numerous people with good taste - is a brilliant mystery set in Bangkok. The setting lives and breathes, the characterization is spectacular, and the dialogue is so good you practically hear it out loud. Plus it manages to be noir - wry and cool - without overreaching. Hallinan is a stunning talent.
Tom Rob Smith's Child 44 - a tale of a Soviet policemen trying to solve a series of child murders in Stalinist Russia. The genius of the book isn't merely in its evocation of that time, but in the fact that we meet a protagonist as he is growing disillusioned with the very system that he represents - as he is trying to catch a murderer who the state refuses to admit exists.
Timothy Hallinan's A Nail Through the Heart - recommended to me by numerous people with good taste - is a brilliant mystery set in Bangkok. The setting lives and breathes, the characterization is spectacular, and the dialogue is so good you practically hear it out loud. Plus it manages to be noir - wry and cool - without overreaching. Hallinan is a stunning talent.
Thursday, May 21, 2009
Robert Crais Interview About Trust No One
Thursday, April 30, 2009
Friday, April 17, 2009
Wednesday, April 15, 2009
Writing Quotation of the Week
Writers kid themselves—about themselves and other people. Take the talk about writing methods. Writing is just work—there’s no secret. If you dictate or use a pen or type with your toes—it is just work.
--Sinclair Lewis
--Sinclair Lewis
Thursday, April 09, 2009
Breaking in to Comics
I often get asked about how one breaks into comics, but I don't have a good answer in general. Because I transitioned from novels and screenplays, I already had writing samples, and I lucked into an editor - Axel Alonso at Marvel - who was familiar with my work. But there's a great article by Steven Grant on CBR that lays out nicely how an aspiring writer might attempt to find work.
Tuesday, March 24, 2009
Trust No One

Coming June 23! For more info and for tour info (the tour will include Boston, NY, LA, San Diego, and the Bay Area), go to the newly redesigned www.gregghurwitz.net.
Tuesday, March 17, 2009
E.B. White Quotation of the Week
"Be obscure clearly."
Three words, and yet some of the best writing advice I've come across...
Three words, and yet some of the best writing advice I've come across...
Thursday, March 12, 2009
Frank Miller's Charlie Brown
This link, as forwarded to me by Richard Brewer, is well worth a look. Brilliant.
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